Bibio’s Phantom Brickworks

Stephen Wilkinson, better known under the stage name Bibio, announced the forthcoming release of Phantom Brickworks, a nine-track collection of mostly improvised musical pieces expected on 3rd november on Warp. you are invited to preview Phantom Brickworks III and Phantom Brickworks III (edit) and follow Bibio among dreamy autumn landscapes provided by the artist himself, who directed a spectral video for the occasion.

“I don’t believe in ghosts but I do believe places can be haunted by meaning. Places change, not always for the better and not always by natural, benevolent or politically sound means. A place can be charged with atmosphere because of what it has been through or what it has been.”

Bibio supervised also the making of the limited edition of Phantom Brickworks, a double vinyl with inner and outer sleeves printed using a hand-inked letterpress, which is unfortunately already out of stock. however, you may pre-order more widely available formats, including a standard edition of the double vinyl, here or here.


Sex Music

if the summer seems to be gone for good, nothing prevents us from giving an ear to some alluring tune to extend this very feeling of well-being and sexiness, and enter the next season with appetite and lust. for this purpose, Beak> asked a gentle white bear to accomplish a few well-chosen pas de deux at listening to their own interpretation of Sex Music.

the single was released in june 9th on Invada Records digitally, and a 7″ will follow on october 7th (pre-order here). the video was directed and animated by Paloma Baeza, and Win Butler (from Arcarde Fire) took care of a glossy cover which you may be tempted to discover here.

Fugazi vs. Minus The Bear

yearning for Fugazi, we rummaged in the web to find some possible live footages of the post-hardcore band, as we found this incredibly refreshing version of Waiting Room, filmed by Jim Spellman in 1988 at wilson centre, in Washington D.C. originally recorded on the very same year, the track was however released first in 2014 in First Demo, a collection of 10 tracks taken from the original demo tape that is depicted more or less as the last Fugazi’s album to date.

despite the poor quality of both the video and sound, the nutty vitality exuded by the legendary band is truly enjoyable, especially when you get to know the considerable number of covers that circulate on the web (among others, Arcade Fire, TV On The Radio and Red Hot Chili Peppers).

the vivid energy spread by the band and the audience singing in collusion, this mordant outlet is so exhilarating punk that it contrasts admirably with the cover offered by Minus The Bear. a bit spick-and-span, this version is nevertheless invigorating in a gentle and somehow funny way.

Behind the Shadow Drops

Behind the Shadow Drops is the new solo project of Takaakira ‘Taka’ Goto, founding guitarist of the fantastic instrumental band MONO. formed in 2016, the project integrates many different forms of music, most notably ambient, trip-hop and other minimal musical elements, and will soon give birth to a first album named H a r m o n i c.

expected on 22th september on Temporary Residence, the album features drums, percussion and programming by John McEntire (Tortoise and The Sea And The Cake) who also mixed the album, as well the fabulous Helen Money, a very impressive rock cellist, who toured with Russian Circles last year.

the first single Positive Shadow, Negative Light directed by Julien Levy offers us an elegant spectral journey under the stars.

you may pre-order H a r m o n i c  by clicking on the above album cover.

Hiss Spun

the sumptuous Chelsea Wolfe is treating us with a new video entitled 16 Psyche, a second excerpt taken from her sixth album Hiss Spun, out on 22nd september on Sargent House. you will probably notice the presence of Troy Van Leeuwen (Queens Of The Stone Age’s sensational guitarist) who supports Wolfe on lead guitar. Hiss Spun features also bandmate Ben Chisholm on bass, piano and electronics, and drummer Jess Gowrie (from Happy Fangs), a long-time companion who reunites with the goth-folk songwriter for the occasion.

the deep-howling voice of Aaron Turner (singer for Isis) also accompanies Wolfe’s childish vocal part on Vex, the first single unveiled at the beginning of the month.

we invite you to read the enlightening interview that Wolfe gave to Noisey, in which she unfolds Hiss Spun‘s genesis. the new album can be preordered here.

The Hour After Sunset

the nugget of the day goes to Ensemble Economique’s demo The Hour After Sunset, a new track that Brian Pyle (half of Starving Weirdos) published a few minutes ago, directly inspired by his brainy and shining thirst for cinematic, droning glides. this amazing outer-space track goes directly to the head, providing perfect disquieting pedal effects that seem to set the imperativeness of an immediate action. The Hour After Sunset is a perfect companion to a quiet but enrapture evening.

Ensemble Economique has released his 12th album In Silhouette on Denovali Records in late march, and despite the fact we haven’t listened to it yet in its entirety, the new album depicts strong images of some ethereal wide grey yonder, made of subtle textures suspended in the air, which are ready to blossom into a mass of weightless flowers.

we were very lucky to discover Ensemble Economique at Denovali Swingfest Essen in 2014, and since we are genuine fans of EEc’s heady atmospheres, we invite you to open your ears (and eyes) to this handsome live concert captured at the Les Yper Yper Gallery on the same year.


Nothing @ Amoeba Green Room Session

Nothing, as if the band was to perform an acoustic set in your bedroom, well, almost. the quartet performed an intimate, very moving, live session in the green room at Amoeba Hollywood in last february.
a good occasion to finger the band’s spleen and beauty.

top of the top: 2016

2016 was again a fantastic music year, made of a different shades of guitar tones, from tender notes to raging, devastating sound experiences. the bands and albums listed are presented in no specific order, because this year, a crazy number of albums simply turned our heads inside-out. but these are the ones that will be remembered.

our favourite albums

— Beak>, Couple In a Hole, Music from Tom Geens Film
the quintessence of krautrock, a clever mixture of restlessness and disquieting grace. with absolutely killing bass and drums, this mesmerizing hooting maze is a genuine blast. who said that bristol genius belong to the past?
sensational: Spittin’ Feathers

— Civil Civic, The Test
a very essential bum-shaking space rock album that conveys a certain appetite for life and happiness, with mordant guitars and jiggling synthesizer vibes (and a drum machine that will exhaust your frog’s legs). joyful as jumping into a roll-coaster to reach the moon. fantastic, chirpy, on cloud nine.
essential: The Shift

— Nothing, Tired of Tomorrow
it’s impossible to get tired of Nothing, whose hook-laden melodies and humming guitars translate a powerful longing for skygazing tenderness. the band’s third album evinces once again Palermo’s heartbreaking songwriting that blows hot and cold, spreading some beautiful sadness. simply sumptuous.
mandatory: ACD

— Russian Circles, Guidance
wow, a grand, grand album, a genuine head-splitting shot that encapsulates any organic emotions. Guidance is a swelling masterpiece, an irresistible panel of ambivalent sentiments, tender and brutal, crystal clear and tenebrous, incandescent and placid. better than the familiar imagery for post-rock and post-metal, this album is the perfect expression of an ireful contemplation.
killing: Mota

— Suuns, Hold/Still
well, Suuns’ music isn’t colourful, it doesn’t try to seduce or allure, but it penetrates your skin as a drill machine would puncture the thickest wall of sound. Hold/Still may be the band’s most hypnotic album to date. thrilling drones and benumbing beacons intend nothing else but depicting beautifully a desperate, stony tomorrow.
monumental: Resistance

— Piano Interrupted, Landscape of the Unfinished
this new record conceived in Senegal is a graceful, captivating odyssey of pieces that were first deconstructed before being recomposed. a beautiful travel to fruitful soundscapes, where delicate piano notes and a sunny double-bass intertwine with traditional instruments of senegalese musicians, a humming clarinet and amazing sounds from the landscape. to put it simple, the nonpareil of beauty.
soul-stirring: Sara Ba

— Yeti Lane, L’Aurore
with L’Aurore, the duo’s third album, the songs are replete with the caressing assonance of psychedelia. electrifying and intoxicant as the most heavenly drug, this record is highly addictive and pulls off a major coup in the french musical panorama by defining a new paragon of virtuosity. awesome, exhilarating, sensational.
mind-blowing: Liquide

— Nicolas Jaar, Sirens
once again, the magic of Nicolas Jaar is vivid. the young alchemist mix ingredients very patiently in order to give birth to a skilful celebration of delicate sounds and warm, tender beats. Sirens starts progressively, with Jaar’s voice as a guide. floating in luxuriant waters is always a treat before surrendering to frenetic jazzy or oriental notes. now beats can come into sight and serve as a wake-up call. superb, outstanding, good vibes guarantee, and cherry on the cake, a short interaction with his dad, Alfredo.
appealing: Machine/Decide + No

— Roots Manuva, Bleeds
actually released at the end of 2015, Roots Manuva’s last album could not remain absent in this yearly compilation. both beautiful and tragic, Bleeds doesn’t give Britain the highest praise one could give it. this poignant opus is a wide open wound, from a magnificent observer of our time, whose profound and significant lyrics and hip hop are essential to Britain’s grandeur. sad, alarming, essential, and served by Manuva’s remarkable voice and phrasing.
urgent: Hard Bastards

— Jóhann Jóhannsson, Orphée
14 years after his blissful first album Englabörn, the classical composer returns with another impressive and magnificent studio album. released the very same year as a sumptuous soundtrack written for Denis Villeneuve’s The Arrival, it is impossible not to succumb to the beauty of this both disquieting and spellbinding Orphée that takes you to a fantastic journey, made of beautifully-textured shades of grey. both inspiring and Kafkaesque.
mesmerising: The Drowned World

among the best songs
these are the very thrilling songs of the year, with the exception of BEAK and Suuns, which albums are now copyright-protected on soundcloud. a simple click on the band’s picture (or on any of the aforementioned bands/musicians) will redirect you to their bandcamp page or website, where their music may be streamed freely. and do not forget to purchase the albums that you enjoyed the most to support the bands’ remarkable work.


best concerts
K-X-P @ The Great Escape Festival, june 2016
Russian Circles @ Kesselhaus, september 2016

the killing surprise of the year
The Low Frequency in Stereo, a very surprising post-rock band from Norway, which 2002’s eponymous, sublime, first album shook the pond as we discovered it on Byte.FM Schnittstelle. highly recommended for post-rock aficionados who also have a squint at jazzy tunes.


best newcomers
the amazing Boobs of Doom, whose noisy inspiration seems genuinely tireless.


best music website

best album artwork
A Moon Shaped Pool by Radiohead, again another amazing piece of art by Stanley Donwood and Dr. Tchock. the 32-page magnificent artwork was made from huge canvases painted by Mr. Donwood, which were exposed to warm winds and thunderstorms in the french riviera. the darkness of a few drawing is a pure wonder. such as Radiohead’s is.

the cherry on the cake
Byte.FM’s BTTB, short for Back To The Basics, Marcus Maack, a monument of the Hamburg DJ scene.

amazing creator of the website that lists all record shops in the world, Marcus Maacks also presents a non-less amazing broadcast on byte.FM called Back To The Basics. the programme airs every thursday at 9pm and is mostly dedicated to bass. the pond shares quite a lot of Maacks’ favourites, such as dubstep, electro, hip hop and the bristol scene. BTTB is the very first programme we have been following for years, and every thursday is a bass day. can’t stop, won’t stop, as Maack would say.


Oiseaux-Tempête’s AL-‘AN ! الآن


another demonstration of rage and discontentment is expected on march 31st, another statement that will for sure meet our endless appetite for melancholic promenades and restrained expressions of anger.

AL-‘AN ! الآن (And your night is your shadow — a fairy-tale piece of land to make our dreams) is the title of Oiseaux-Tempête‘s new album that will be released in a little month on the belgian label Sub Rosa. for this third part of a journey around the Mediterranean opened in 2012, Frédéric D. Oberland and Stéphane Pigneul travelled to beirut to work with local musicians, and surrounded themselves with Mondkopf, Charbel Haber, Sharif Sehnaoui, G.W. Sok and Tamer Abu Ghazaleh, among others.

the first track unveiled, Carneval, shows sumptuous anxious patterns common to Oiseaux-Tempête and Mondkopf. this new track manifests clearly that the band keeps discovering new territories, offering their post-rock mark a brighter spectrum and a flight of genuine poetry.

No Natural Order for Pharmakon

conscious that our section dedicated to tantalize your neighbours had been neglected over the past months, we expected a genuine nugget to calm down your desire to scare your neighbours (and friends, and family) to death.

so, the return of Pharmakon may be the best way to enjoy this tremendous pleasure, since the lady announced the forthcoming release of Contact, a new album expected on Sacred Bones on march 31st. the release date of the album will mark the tenth anniversary of Margaret Chardiet’s musical project, who is well-known in the NYC underground experimental scene.

No Natural Order has just popped up and we delighted to share this industrial noise wonder. of course, it is recommended to play it very loud and to orientate your sound system towards your neighbour’s flat accordingly, in order to get the most of her threatening voice and sound.

in case you missed Transmission, the first excerpt of Contact, here is an opportunity to catch up.

Pharmakon’s upper-class doomsday music has also to be experienced live, because Chardiet’s performance is absolutely unique and very, very impressive. her powerful fury is highly spellbinding and beyond comparison. we had the chance to discover her as she opened for Swans in 2014, and this was an outstanding and unforgettable moment.

Pharmakon will precisely hit the road again to europe in april and may, and you may pre-order Contact here and here.

Apr 1, 2017        The Hague, NL Rewire Festival
Apr 14, 2017      Brooklyn, NY Brooklyn Bazaar
Apr 20, 2017     Paris, FR Instantes Chavires
Apr 22, 2017      Berlin, DE Ausland
Apr 23, 2017      Brussels, BE Ancienne Belgique
Apr 25, 2017      London, UK Electrowerkz
Apr 26, 2017      Brighton, UK The Haunt (w/ Blanck Mass)
Apr 27, 2017      Nottingham, UK Chameleon
Apr 28, 2017      Manchester, UK Soup Kitchen
Apr 29, 2017      Bristol, UK The Exchange
May 3, 2017       Lisbon, PT ZDB
May 4, 2017       Madrid, ES La Boite
May 5, 2017       Barcelona, ES Upload
May 6, 2017       Krems, AT Donau Festival
May 21, 2017     Durham, NC Moogfest